Old Country Bumpkin to Master Swordsman Season 2 Episode 3: Anime vs. Manga Debate
片田舎のおっさん、剣聖になるⅡ 第3話「原作改変してるのは漫画版」に日本ファン反応

On the Episode 3 reaction roundup from Japanese channel Chokotto Hanno-shu, fans left 61 comments — and one heavily-liked reply (8 likes) pointed out something that surprised a lot of viewers: the anime's version of the antagonist, Vice Principal Brown, is closer to the original light novel, and it's actually the manga adaptation that changed his story.
The recurring theme was adaptation fidelity. Novel-readers argued that Beryl's arc is fundamentally about confronting his own aging, a thread they said the manga trimmed out, while manga-first fans said they preferred that version's sharper take on the same villain. One commenter went further, saying the anime's directing has been undercutting the protagonist's appeal outright — a complaint another viewer traced back to only knowing the manga version.
Nobody in the thread settled the argument, and a couple of commenters wandered back to the fight scene itself instead.
The reaction-compilation channel Chokotto Hanno-shu posted its roundup for Season Two, Episode Three, and underneath it, the comments spent surprisingly little time on the actual fight. Instead, the thread turned into something closer to a three-way argument: which version of this story — the original light novel, the manga adaptation, or the anime — actually gets the antagonist right.
“Wait, this is actually the original novel's storyline. It's the manga version that 'changed' it.”
これ原作のストーリーなんだよね。漫画版が「改変」してるんだよな。
That's a strange thing to argue about for a franchise most people assume they already know from the manga. But according to several commenters, the manga isn't actually the baseline here — it's the version that changed things.
What tripped people up specifically was the vice principal character at the center of the episode. In the manga he reads as a controlled, calculating villain; here, he's undone by something far more personal, and the novel-readers in the thread were quick to explain why.
“For 45-year-old Beryl, 'aging' isn't someone else's problem 😢 Even so, it's daily training in pursuit of the peak of swordsmanship. Next episode: he's heading home to Biden Village!”
45歳のベリルにとっては、「老い」は他人事ではないね😢それでも、剣の高みを目指して稽古の毎日です。次回は、ビデン村へ里帰りだ!
Beryl's age is treated as load-bearing in the original novel — a swordsman forced to reckon with his own decline in real time. Fans who prefer the manga's version and fans who prefer the anime's version aren't really disagreeing about which is better written in a vacuum; they're disagreeing about what the story is supposed to be about in the first place.
“I've read both the original novel and the manga, and honestly the manga's version of the whole sword-magic-instructor storyline is way better... In the original, the vice principal is just a generic stock villain, the shadow monsters rampaging around feels kind of thrown-together, and it makes everyone who let him get away with it look incompetent too. Students vs. the ossan, vice principal vs. the ossan, and then the shadow swordsman — I really wish we'd gotten to see that in the anime.”
原作と漫画両方見てるが、剣魔法の講師周りの展開はやっぱり漫画版の方が圧倒的にいいなぁ…。原作展開だと教頭ただのテンプレ悪役だし、影の魔物達が暴れることもイマイチやっつけ感が強いし、そんな教頭を放置してた周りの無能感も強まるし。 生徒’svsおっさん、教頭vsおっさん、そして影の剣士、アニメで見て見たかったなぁ。
“This isn't an anime made from a manga that already gives the studio a visual blueprint to work from — it's adapting a novel that only has a handful of illustrations as reference. And honestly, I keep wondering if I'm just biased, because I think they're pulling it off well; I'm genuinely satisfied with Season 2 so far. Plus, when it comes to Ficelle getting to shine, this version gives her more spotlight than the manga does 👍”
作画の手本となるコミカライズ版をアニメ化するのとは違い 作画の手本が挿し絵位しか無い原作小説をアニメ化しているのに 上手く出来ていると思うのはオイラの贔屓だろうか?と思うほど2期も満足して視ている。 其れにフィッセルの活躍という点ではコミカライズ版より此方の方がフューチャーされてて良いし👍
That split showed up in sharper form further down the thread, when one commenter said flatly that the show's habit of undercutting its own protagonist has made it hard to enjoy.
“Every time I watch, the directing choices that strip away the protagonist's appeal just feel pathetic. I find myself thinking, 'they really went and made this into an anime?' I can't find anything appealing in the story. It's not interesting right now.”
視聴するたびに、主人公の魅力を削ぐ演出が、情けなく感じる。よくアニメ化したな。と、思ってしまう。 物語に魅力を見出だせない。現時点で面白くない。
The reply that followed didn't argue the point so much as reframe it.
“If I'd only read the manga, I think I'd feel the same way. Reading the original novel shows you a different kind of appeal. If you're coming at it manga-only, that's a completely fair take.”
漫画だけ読んでたら自分も同じ感想だっと思う。原作を読むと別の魅力を感じられる。漫画版オンリーならもっともな意見だね。
Nobody in the thread actually settled which version is 'correct' — a couple of commenters instead drifted back to the fight itself, sizing up Beryl's short-decisive-battle strategy and idly guessing how a future opponent might eventually take him down.
In the end, that's the most honest thing the comment section landed on: a show about a man forced to admit he's aging turned its own fandom into a handful of camps arguing about which adaptation aged the story's ideas best.
FAQ
- Why do Japanese fans say the manga changed Vice Principal Brown's story?
- Several commenters who've read the original light novel say the anime is following that source material faithfully, and that it's the manga adaptation that altered Vice Principal Brown's characterization — including trimming out the 'aging' theme tied to his motivations.
- What's the actual disagreement among fans in this thread?
- One commenter (2 likes) said the anime's directing undercuts the protagonist's appeal and called the story unenjoyable right now; another commenter (4 likes) replied that this reaction makes sense for someone who's only read the manga, since the original novel shows a different side of the story.
- Do fans mention Beryl's age as part of the story?
- Yes — one comment notes Beryl is 45 in this stretch of the story and frames 'aging' as something he can no longer treat as someone else's problem, even as he keeps training toward the peak of swordsmanship.
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