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The Ghost in the Shell ⢠Koukaku Kidoutai (TV) - Episode 10 discussion - FINAL

æ»æ®»æ©åé THE GHOST IN THE SHELLã第10話ã§å®çµãããr/animeã®æçµè©±ã¹ã¬ãã人æ°é ã§101ä»¶ãèªããšãç·æã¯ããµã€ãšã³ã¹SARUãåäœãä»çãããã§ããããŸã§èŠãŠããæ ååã®äžã§äžçªå¥œãã ãšèšãåãæžã蟌ã¿ã䞊ã¶ãäžæ¹ã§ã10話ãšããå°ºã®çããæãã声ãåããããå€ãã
è°è«ã®äžå¿ã¯äººåœ¢äœ¿ããšã®å¯Ÿè©±ã ã1995å¹Žã®æ ç»çã®çŽ åããåã身ã§èªå·±äžä¿¡ã匷ãããããšè©ããããã§ãä»äœã®çŽ åãè¶ é«åºŠAIã®çµè«ã«æ£é¢ããé£ã£ãŠãããããšãè©äŸ¡ããèªã¿ãæ¯æãéãããèåãéžãã çç±ã«ã€ããŠããçå±ã§ã¯ãªãçŽæã§æ±ºãããã人圢䜿ããççŽã ã£ãããããšè§£éãåãããŠããããããŠãååšè«ã®è°è«ãå šè£žã§å»¶ã ãšããç»ã¥ããžã®ããã³ãããã¹ã¬å šäœã«æ£ãã°ã£ãŠããã
æ»æ®»æ©åé THE GHOST IN THE SHELLãå š10話ã§å®çµãããr/animeã®æçµè©±ã¹ã¬ã人æ°é ã«101ä»¶èªãã ãã ãã©ãç·æ¬ã®äžèšãšããŠäžçªãããã ã£ãã®ã¯ããã ãšæãã
âæ¥œãããŠç¶ºéºã§ããããŠèªåã銬鹿ã«ãªã£ãæ°ãããäœåã ã£ããâ
Fun and beautiful show that made me feel dumb.
ãŸãåºãŠããã®ãã10話ã§çµãã£ãŠããŸã£ãããšãžã®æªç·Žããµã€ãšã³ã¹SARUã®ä»äºãžã®è©äŸ¡ãšã»ããã§èªãããŠããã
âæ®éã®12ã13話ãããªã10話ã§çµãã£ãŠããŸããšãã®ããã®å¯ããæããSARUã¯ãã®äœåã«ããã ãã®ã¹ã¿ã€ã«ã®é åãè¶³ãããããä»äºããããâ
That sad feeling when an anime is over after 10 episodes instead of the normal 12-13. Saru did some great work in adding as much stylistic charm as they did to this series.
ãããŠè°è«ã®æ¬äœã人圢䜿ããšã®å¯Ÿè©±ã ã£ããããã§1995å¹Žã®æ ç»çãšã®æ¯èŒãå§ãŸã£ãŠãã¹ã¬ã®äžã§ãç¹ã«æžã蟌ã¿ãé·ããªã£ãŠããã
â人圢䜿ããšã®äŒè©±ããŸã£ããåããªãã£ãã®ãå¬ããã ãã®çã®çŽ åã§ç¹ã«å¥œããªã®ã¯ã人圢䜿ãã®é·åºèããã åã身ã§èãã®ã§ã¯ãªãããã®å€ãã«åè«ãã«ããå§¿å¢ã ã95å¹Žã®æ ç»çã§ã¯ããã®çŽ åã®åã身ããšå¿ æ»ããèªåã«ã¯åããªãã£ããèªå·±äžä¿¡ã®åŒ·ããšãèªåã¯ååšããŠããã»å®åšããŠããã®ã ãšäººåœ¢äœ¿ãã«èšã£ãŠã»ããããã»ãšãã©å®æãããå¿ æ»ãããæªçã«ããèŠãããèªåãäœè ããåãã£ãŠããŠãè¶ é«åºŠãªAIã®çµè«ãšèšç»ã«æ£é¢ããé£ã£ãŠãããèªä¿¡ãæã£ãŠããããã®çã®ã»ãããã£ãšå¥œãã ãæ¥µããŠåççãªæå³ã§ãèªåã®ç®çã«å©ããããšèŠãããèåãã人ç©ãšããŠãâ
I'm glad that they didn't skimp on the conversation with the Puppet Master at all. One thing I really like about this version of Motoko is her willingness to challenge the Puppet Master on a lot of its rambling instead of being a passive observer to it. In the 95 film I was turned off by how passive and desperate that version of Motoko was. She was almost immature in how much self-doubt she had and how much nigh-religious desperation she had for the Puppet Master to tell her she existed and was real. I much preferred this version of the character that knew who she was and had confidence to challenge a hyper-intelligent AI on its conclusions and plans. Someone that merged with it because she saw an advantage for her own needs, in a very rational sense.
ãã ããã®ãåççã ããèåããããšããèªã¿èªäœããããäžã§åŠå®ãããããããé¢çœããšããã ã£ãã
âãã®äŒè©±ã®ççŽããè¯ãã£ããçŽ åã確ããªä¿èšŒã¯ããã®ããšå°ããŠã人圢䜿ãã¯ä¿èšŒãªã©ç¡ããšã¯ã£ããèšããçµå±ã®ãšããçŽ åã¯ãã©ã®ã¿ã¡çžæãä¿¡çšã§ããªããšåãã£ãŠããã çŽ åãé ·ããã®ã¯ãåççãªãçç±ããã§ã¯ãªããšæãã圌女ã¯çŽæã§åããããŸãã«äººåœ¢äœ¿ããæ¬²ããã£ãŠããã人éã®äºæž¬äžå¯èœæ§ãã®ãã®ã ãããããã£ãããããâ
i liked how frank the discussion was; Motoko was asking if there were any solid assurances and the Puppet Master was not mincing words that there would be no guarantees, and in the end Motoko knew she couldn't trust them anyways i don't think Motoko agreed because of a "rational" reason; she went on a gut feeling, that very same sort of human unpredictability that the Puppet Master wanted, which i think feels fitting
âã¡ãããšèª¬æã¯ãã£ããçŽ åãèåããã®ã¯ã人圢䜿ãã圌女ã«å¯ŸããŠã¶ã£ãããŒããªãŸã§ã«æ£çŽã ã£ãããã ãããããå ¬å®9課ã®èã¯ã圌女ã身åæãªäºæèã«ããããããŠããããšã«ããã9課ãä»ãšæ±ºå®çã«éãã®ã¯ãäºãã«èšèãæ¿ãããæäœãåããªãããšãããã«è¿ã¥ããå¯äžã®å Žé¢ïŒæ®ºãããŠããŸã£ãè¥ãéå¡ã®ä»¶ïŒã§ããããŒã¯ãæäœçã ããšæããŠæ¬æ°ã§æã£ãŠããïŒå®éã¯çµéšã®æµ ã人éããæ³å®ããã¯ããã«å±éºãªä»»åã«éãããã ããªã®ã ãïŒããããŠããªãããã»ã©æ©ãåãå ¥ããã®ããæ¿åºã®ææç©ã«ãªããªã¹ã¯ãåã£ãã®ãšåãçç±ã ãæå³ã®ããããšãã§ããŠãä»ã®èª°ã«ãã§ããªãããšãã§ãããããèªåãç ç²ã«ããŠã§ã人çãæå€§éã«çããããšããã圌女ã®éå¿ã𿬲æ±ã«ãããªãã人圢䜿ããåãçš®é¡ã®åŠ¥åã§ããã ãçžæããããåœŒå¥³ãšæ³¢é·ãåã£ãŠããŠãããæ£çŽã ã£ããšããã ãã®è©±ã ãâ
There was an explanation. Mokoto merged because Puppet Master was blunt and honest with her. The whole point of Section 9 was that she was tired of the selfish duplicity, and you'll notice that a core trait of section 9 over the others is that they don't mince and don't manipulate each other, the one time that it was close to that (the kid that gets murdered) Batou it's deeply pissed about what he sees as manipulative (though here it was just an inexperienced guy being sent to a mission that turned out to be far more dangerous that thought). And as for why she accepted so quickly, the same reason she took the risk of becoming government property: she gets to do something that matters and do things that few other can. It's just her ambition and desire to live life to it's maximum, even at sacrifice for herself. The puppet master was a similar compromise but with an entity that was more aligned with her and more honest.
ã§ãããããååšè«ã®è©±ããã£ãšãã£ãŠãã®ã«ãç»é¢ã§ã¯çŽ åãå šè£žã®ãŸãŸããã®ã®ã£ãããžã®ããã³ããã¹ã¬å šäœã«æ£ãã°ã£ãŠãã
âçŸå®ãšèªå·±ãšéã®æ ¹æºçãªæ¬è³ªããã¡ããšèå¯ããããã«ã¯ãèäœã®å¹»æ³ãšèªæããèªããè§£ãæŸããã°ãªããªãã ãªããçŽ åã®ãã£ãœããœãã®ãŽãŒã¹ãã10åéã©ãããå¥éãç¥ããâ
in order to properly ponder the fundamental nature of reality, the self, and the soul, you must free yourself from the illusions and temptations of flesh also, here's 10 minutes of Motoko's buck naked ghost, good luck have fun
ãããŠæçµè©±ã2026å¹Žã«æŸéãããããšã®æå³ãèªãåºã人ãåºãŠããããã®äœåã«é¢ããŠã¯ãã®è©±ãé¿ããããªãã
âAIã®æŽèµ°ãèªæã®ç²åŸãçŸå®å³ã垯ã³ãŠããææã«ããã®ã¢ãã¡ãæŸéãããããšèªäœã象城çã«æããã ã€ã³ã¿ãŒãããããååšããŠããªãã£ãæä»£ã«ãããæ§æ³ããŠããã®ã ãããæ»æ®»æ©åéãã©ãã ãæä»£ã®å ãè¡ã£ãŠããããšãã話ã ãâ
The fact that this anime was aired at a time when AI going rogue or becoming sentient is nearing reality seems symbolic. Envisioning something like this before even the internet was a thing shows how GitS was way ahead of its time.
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âãããã¯åºå€§ã ãâŠâŠ ãšããããã§ãããã«ãŠçµå¹ããšãã§ããªãæ ã ã£ããâ
The net is vast... And that's that. What a wild ride it's been.
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